Gabe Askew’s Ten By Ten


Gabe Askew’s new video for the song “Ten By Ten” by Bluebrain is a really interesting and well-executed piece, and quite a departure from Two Weeks, the unofficial Grizzly Bear video that he put out last year. “Ten By Ten” is skillfully orchestrated and very graphic – clean and elegant. It’s especially impressive, considering Gabe completed this almost completely on his own with no budget. And the new direction shows that he is still exploring and expanding his craft. Kudos.

Read on for a Q&A with Gabe about this piece. (Sorry folks, link fixed now.)

Posted on Motionographer

Barker_Demo Reel 2010

http://vimeo.com/10468852

Hi my name is Sebastian Barker. And this is my Demo Reel for 2010.

Any feedback is always welcome.

Enjoy and Thanks for watching

STORM by The Foundry

http://www.kickupastorm.com/

What do you guys think it is? Seems like it could be about workflow. Especially considering who the quotes are from. Peter M and Offhollywood of them are very close with Red too.

Monitor Calibration?

Hey I recently got a new computer with dual displays, they are both different brands (I got one free) and I was wondering if anyone had tips to calibrate them accurately without relying on the hokey "Windows – Calibrate Color" thing. Oh, I’m on Windows, if you didn’t pick up on that.

Click 3X Leaves After.Life In Limbo

[NEWS=”http://www.cgnews.com/wp-content/uploads/afterlife_christina_thumb.jpg”]24719[/NEWS]Continuing a long history of VFX for feature films, Click 3X Creative Director and Head of VFX Mark Szumski led the team that crafted all of the VFX for the visually stimulating thriller After.Life, directed by Agnieszka Wojtowicz Vosloo and starring Christina Ricci. Click Creative Director Steve Tozzi and Head of CG Anthony Filipakis worked closely with Szumski to create a stunning array of FX, from the creation of alternate worlds to bizarre and fantastic character transformations.

“Our whole team came together for this one,” noted Click 3X owner Peter Corbett. “As we establish Click as a full-service digital studio capable of projects of any size, it’s important that we continue to work on major feature films, so we were thrilled when Agnieszka approached us to bring her terrifying and captivating visions to life.”

Click 3X’s VFX play an integral role in the film, composing important components of many grotesque and surreal scenes. Anna (played by Ricci), looks in the mirror in one scene to find herself emaciated and lifeless, a transformation wrought by Szumski. In another sequence, the CG team built, animated and lit massive tree roots that emerge from the ground to capture Anna. The same group created animated maggots that fill her mouth as the roots swallow her.

In one particularly impressive scene in which Anna removes her own heart from her split-open chest, Szumski showcases his ability to work in both the live-action and VFX realms.

Szumski directed the live-action shoot and spent hours of compositing in Flame to create blood elements on the starlet’s nude body. The Click 3X team also created an elaborate design for the open chest.

In a show of Click’s impressive range, the studio also created entire landscapes. One twisted point in the film finds Anna flung into Limbo, an alternate reality created entirely by Szumski and the CG team.

Limbo is an amazing, otherworldly environment that conveys the sensation of being trapped between life and death, with surroundings that alternately appear to be dead or alive.

“After.Life was a blast to shoot,” stated Szumski. “Everyone stepped up to make this one happen, from Anthony’s CG team to Steve’s creative input to the cooperation of the director on every scene. I’m happy to be contributing to full-length feature work and hope to take more on in the very near future.”

Click here to view trailer.

About Click 3X:
New York-based Click 3X produces cutting-edge visual solutions for commercials, feature films, television, music videos, and broadcast clients around the globe. Founded in 1993, Click 3X has become one of the preeminent providers of innovative media content, housed in an environment led by artists, yet supported by one of the most technologically advanced digital studios in the industry.

With award-winning design, powerful visual effects, and a visionary animation team, Click 3X has worked on array of diverse highly-recognizable projects, including a series of films from academy-award winning directors like Jonathan Demme and Davis Guggenheim, a recent multimedia package for eight HD Time Warner spots, My Home 2.0, a five episode reality TV series for Verizon Fios, and a long line of recent commercials for major brands such as Sharp, Ford, and Goodyear.

CREDITS
Prod Company: Plum Productions
Director: Agnieszka Wojtowicz Vosloo
Editor: Niven Howie
Assistant Editor: Benjamin Howdeshell
Post Production Supervisor: Jonathan Ferrantelli

VFX Co: Click 3X
Head of VFX/ Creative Director: Mark Szumski
Head of CGI: Anthony Filipakis
Creative Director: Steve Tozzi
Executive Producer: Jason Mayo
Producer: Carson Hood
Head of Production: Jared Yeater
VFX Artist(s): Yoshiko Hirata, Jaime Aguirre, Peter Amante, Amanda Amalfi, John Budion
CGI Animator(s): Rob Dollase, Anderson Ko
CGI Lighting: Sung Kim
CGI Modeling & Rigging: Reeves Blakeslee
CGI Modeling & Texturing: Paul Liaw
CGI Animating: Susan Taffe
CGI Lighting: Grace Kim, Rafael Castelblanco
CGI Artist: Jongmoon Woo

Telecine: Technicolor
Colorist: Tim Stipan
Producer: Dana Bloder

RELATED LINKS
www.click3x.com

Read more: http://www.trustcollective.com/portf…#ixzz0jeH508yO
Attribution: Written content created by TRUST: http://www.trustcollective.com
Under Creative Commons License: Attribution Share Alike

Rebranding by Scott Benson

Scott Benson, an animator whose hilarious Man and Cat at the End of the World we quickied last year has just put out a short film called Rebranding which explores a much darker theme. It’s probably best to just watch it first.
Read on for the film and a Q&A with Scott here.

Posted on Motionographer

Fusion Masterclass at Escape Studios

Discover the magic of Fusion on Escape Studio’s three-day Fusion master class delivered by eyeon’s very own expert trainer, Eric Westphal. Participants will gain insider knowledge, learn from extensive QA sessions, get feedback on their material – and take away a licence of Fusion SWAT Edition at the end.

Space is very limited. If you would like to learn more about the class, please visit the link below.

Cheers,
Sue
http://www.3dartistonline.com/news/

3D Mattepainting

Hi everyone, This my first post. I just completed my fusion. I’m posting my work, so I need your guys opinion.

Attached Files
File Type: mov IceAge.mov (15.89 MB)
File Type: mov Rainfall.mov (7.85 MB)
File Type: mov Lava.mov (2.68 MB)

EC BOOK 01

Thanks to everyone who was able to make it out to the Resistor Gallery for the launch of EC Book 01. It was a great time had by all and the pictures to prove it are posted at the Electric Company Flickr page.
For those of you who were not able to make it, we have […]

Plastic Bag by Ramin Bahrani

To some of you, this piece may feel out of character in relation to our regularly posted content. However, there are universal lessons in storytelling and character-development that had to be shared, independent of medium. As I’ve personally been advocating a return to storytelling and simplicity in execution, this short hits the mark.


My discovery of this piece was on the blog of Ross McDonnell, documentary film maker, photo journalist and friend. So, the rest of the piece will pick up with his post:

Proving that almost anything with the words Werner and Herzog in the synopsis probably gets my seal of approval, for your viewing pleasure comes this unbelievably beautiful short film ‘Plastic Bag‘ by wunderkind director Ramin Bahrani.

I hold my hand up and admit that I haven’t seen any of Bahrani’s previous feature length efforts, Man Push Cart, Chop Shop or Goodbye Solo but all have been highly praised. Roger Ebert named Bahrani as ‘Director of the Decade’ for what it’s worth.

Plastic Bag is that rare beauty, a short film that is perfectly suited to the short form. The film is kind of ‘Wall-E’ meets Herzog’s own ‘Lessons of Darkness’ and is poetic, uplifting and timely all at the same time. It’s social message touches on that black hole of human waste that no-one seems to want to dredge the ‘Great Pacific Garbage Patch’ alluding to the issue without beating us over the head with it or resorting to any kind of environmental hyperbole or hysteria.

Plastic Bag is part of the recently launched Futurestates project, a series of short films by established and emerging directors that aims to ‘present a different filmmakers vision of American society in the not too distant future, fusing an exploration of social issues with elements of speculative science fiction.’ Check em out…

Posted on Motionographer