Streetfighter IV trailer

A Second trailer for Street Fighter IV (thnx Franco!)

DVS: Skate & Create 2009

Video from DVS’ nine-day stay in the TWS Skate & Create warehouse for their Skate & Create 2009 contest. DVS teamriders: Andrew Brophy, Keith Hufnagel, Zered Bassett, Daewon Song, and MVP Torey Pudwill.
Love to see the loads of features; Behind The Scenes and especially Same Edit, Different Camera … what ever happened to the ‘Angle’ […]

Uailab: updates

Uailab updates with many new interviews/features.

Passion Pictures’ Pete Candeland: Coke Zero “Happy Kingdom”

Built atop the repertoire of his work with Passion Pictures for the Gorillaz, director Pete Candeland’s buzz reached a fever pitch with the indelible Rock Band cinematic for The Beatles.

In “Happy Kingdom” for Coke Zero, Candeland delivers the goods again and lines the court with a rich cast of characters plucked straight from medieval times. Chock-full of pizazz, “Happy Kingdom” is a spectacle— a dazzling array of eye-candy that embodies the directors flair for extravagance and lavish aesthetics into an eclectic parody of fairy-tale clichés.


Title: Happy Kingdom
Length: 1×60 with 1′45′, 1×40′, and 1×30′ CD
Client: The Coca-Cola Company
Product: Coke Zero

Agency: Ogilvy Argentina
Executive Creative Director: Gastón Bigio
Head of Art: Jonathan Gurvit
Creative Directors: Javier Mentasti, Christian Camean
Agency Producer: Laura Passalacqua

Production Co: PASSION PICTURES

DIRECTOR: Pete Candeland
Producer: Debbie Crosscup
Executive Producer: Hugo Sands, Michael Adamo
Head of CG: Jason Nicolas
VFX Supervisor: Neil Riley
Technical Direcor: Julian Hodgson
Directors Assistant: Giles Dill
Storyboarding: Kevin Dart, Kim Frederiksen
Character Design/Development: Ron Kurniawan, Pete Candeland, Dan Sumich, Mario Ucci
Production Coordinator: Crystal Crompton
Matte Painting / Backgrounds: Kim Frederiksen, Lukasz Pazera
CG Modelling: Mario Ucci, Ian Brown, Matthias Bjurstrom, Doug Lassance, Dan Sweeney, Craig Maden
Rigging: Chris Dawson, Francois Pons, Julian Hodgson
CG Animation Supervisor: Wes Coman
Animation CG: Cath Brooks, Chris Welsby, David Sigrist, Melanie Climent
Animation FX: Jamie Franks, Tommy Andersson
Art Director: Mario Ucci
Texture \Shading: Mario Ucci, Ian Brown, Sally Wilson, Rick Thiele, Matthias Bjurstrom, Melanie Climent, Craig Maden, Nico Domerego, Dan Sweeney, Doug Lassance
Lighting/Rendering: Quentin Vien, Guillaume Cassuto, Claire Michaud, Rick Thiele
Lead Compositing: Niamh Lines
Compositing: Johnny Still, John Taylor, Lee Gingold
Editor: Jamie Foord, Dan Greenway
Technique and Software: XSI for CG, AFX/Nuke for Comp
Telecine: Rushes
Sound Mix: Toby Griffin at The Jungle Group
Music: Power Solo

Posted on Motionographer

Global Warming

I recently made this small viral clip on Global Warming for World Climate Community. Unfortunately there was no economics involved and it is made in a matter of a couple of days, so bare with the SFX part.

Oh and I almost forgot. Send a lot of love and admiration to Alexa Anasuya and Christoph Drobig, the two amazing actors that agreed upon spending a day with me and Eva Kamsteeg (Hair and makeup) to do this clip. They are amazing…

And of course the good people at Kaiserbrand who let me spend the nights on their machinery, because my own was clogged away somewhere in Copenhagen.

http://www.youtube.com/watch?v=KqGXH…layer_embedded

archive script

hay
some one have script to archive nuke script?
i tried to use script from vfxshare.com
but it did not worked for me
thanks

Using the “Axis” node in Nuke

I’m going through the excellent Gnomon Nuke training DVDs to create pan-and-tile scenes. However, the DVDs are a little old they’re using Nuke 4.

In the tutorial they connect the Axis node directly to the 3D card, but I believe in Nuke 5 the axis can only be connected through a TransformGeo node?

Tell me if this is right?

Tracking question

Hi all,

I have a bit of a noob question concerning some footage I’m tracking in SynthEyes. The source footage is 1080p but I will be comping it at 1280 x 720. It seems to me that it would be best to track it at full-res to get the best detail but I was wondering if that would cause any issues once I exported to Maya. It’s maintaining the same aspect ratio to the best of my knowledge so I don’t think it should make a difference but I’m just getting started with all this so any thoughts or suggestions you guys have would be great! 🙂

Thanks!

TOM FORD’S STEEZY NEW TRAILER.

singleman

The illustrious Tom Ford – probably the only man to make Dov Charney jealous – is now crossing the lines over to cinema with an adaptation of Christopher Isherwood’s novel, “A Single Man”.  Currently hitting the international film festival circuit and already getting Oscar buzz, Ford’s directorial debut of (duh) “A Single Man” is now available with a trailer to curb your MadMen-style addiction.

Click here to view the embedded video.

fxguide on linear workflow

fxguide podcast geeks out with 3D guru Master Zap of Mental Images about linear compositing workflow.