New GS&P Site
Posted in: 1New website for Goodby, Silverstein & Partners.
We don’t fully know how to describe artist, designer, bon vivant: Item Idem, but we definitely have plus size boners for the art he makes. His wiki describes him as: ”Austin Powers pretending to be Philippe Starck, art directed by Marcel Duchamp and scripted by Oscar Wilde“. There’s really an endless amount of things to go through on his website and by the time you reach the end you’ll feel slightly cheapened and a little made-fun-of. But overall, if we had to describe a theme it would be: Item-Idem subtly says fuck you, disneyland. But that’s just our take away.
Judi Rosen’s got a sample sale going on for all you curvy ladies out there. If you are not familiar with her clothing, she put it best with the following description: “I make clothes for people who like to be dressed up all the time — but also like to be comfortable. You know, slutty daywear.” Make the trek today from 4 – 8 and tomorrow from 1- 6 @ 25 W. 38th Street between 5th and 6th on the 8th floor.
Cinematic open for Activision’s game Prototype. A bit of the usual in storyline, but great CG to check out.
To all the Firefox and IE users, please bear with us as we tweak and fix the bugs throughtout the site, we will be updating from beta. Oh, and btw, google chrome is a great browser ; )
Filmmaker Kris Wong has put together Command+Z, a nifty little short that has tons of energy and a lot of VFX moxie. According to Kris’ website
Our main influences came from action films from the 90′s, art deco, and war propaganda
The result is kinda like if the Hudsucker Proxy and Kill Bill had a love child. And I mean that in a good way. Make sure you check out the Making Of section. These guys obviously had a blast making this thing.
(LINK) to the Command+Z microsite
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div xmlns=http://www.w3.org/1999/xhtmla href=http://www.studiodaily.com/filmandvideo/currentissue/Reinventing-Star-Treks-VFX_10905.htmlReinventing Star Trek’s VFX/a, at Film Video mag./div
“What in the Box?” is the extremely ambitious “test film” created by a Dutch students Tim Smit and Thibaut Niels that’s been heating up YouTube—and now international media—quite a bit in the last few months.
The story is an apocalyptic POV sci-fi thriller that mixes bits of JJ Abrams and Half-Life together to create a thoroughly entertaining 9-minute ride. Tim Smit’s not a filmmaking student, though. He studies physics. VFX is a “hobby.” Despite that, it’s likely that “What’s In the Box?” will take him on a new path he hadn’t quite planed on.
The film’s title is likely a literal take on JJ Abrams’ “Mystery Box” TED talk. The music has been lifted from Lost, and the POV style is strongly reminiscent of Cloverfield (another Abrams project), but instead of seeing these things as negatives, I see them as brilliant remixes of cultural phonemena. (Yes, I’m thinking of Larry Lessig.)
In an interview with Entertainment Weekly, Lost’s executive producer Damon Lindelof said:
“The fact that anyone with talent and a video camera — or maybe just the video camera — can tell a chapter of any story, whether it be their own or a continuation of someone else’s, is pretty cool to me. But what’s even cooler is when the fan-generated content becomes indistinguishable from the content generated by the creators themselves. The quality of “What’s in the Box?” is secondary only to its mystery.”
An interview with “What In the Box? creators
(You can toggle English subtitles using the options button in the lower-right corner.)
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To christen their new site, Auckland-based Oktobor has released three gorgeous spots for Tiger Beer and agency Saatchi and Saatchi Worldwide.
The spots star the architecture of London, New York and Paris as each city self-assembles from an a different material. This project was so technically challenging that I imagine it could have quickly become a soulless exercise in clone-based animation, but the lighting, rendering and palpably real texturing kept that from happening.
The general concept of self-assembling cities isn’t new (Tronic’s GE “Imagination” comes to mind), but Oktobor’s attention to detail is outstanding. The buttery smooth animation of the bricks in London mesmerizes me even on the third and fourth viewings, and I relish each and every shadow’s crispness and realism.