Autodesk Mudbox 2009 is now available for the Mac OS X platform

Autodesk has announced that Mudbox 2009 for the Mac is now available. Designed by professional artists in the film, game, and design industries, Mudbox 2009 combines a highly intuitive interface with a powerful toolset of stencils and brushes for creating ultra-realistic 3D characters, environments and props. The software gives artists the freedom to create 3D digital artwork as if they were working with clay and paint.

Mudbox 2009 for the Mac OS X contains the same powerful creative toolset as the Windows release. For more information, visit www.autodesk.com/mudbox.

Download a free trial at www.autodesk.com/mudbox-trial.

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Arsenal FX : Kanye West ~ Amazing

Arsenal FX created VFX for Kanye West’s Amazing video feat. Young Jeezy. The video matches West’s anthemic single, currently used on the official soundtrack for the 2009 NBA playoffs.

Anima Boutique : Kopparberg

Three distinct hummingbird characters were created to go with three tropical cider flavors Koppaberg is launching. Eliza Jäppinen designed illustrations for print and directed the 10 second animations for Helsinki based Anima Boutique.

Lost Boys – Vancouver VFX Studio Tour – Spring 2009

Lost Boys Learning – Vancouver Studio Tour – Spring 2009

The day before spring break we embarked on our second Vancouver studio tour for the class of 2009. We were fortunate to visit four prominent studios, including Miniature Effects, Artifex Studios, Zoic Studios and Technicolor/MPC.

As always, the day began before dawn as Monica, John, Cliff, Dan, JongJun, Kaustubh and I left Courtenay, in our mini-van, and drove to Nanaimo to catch the morning ferry. We crossed the Georgia Strait into Vancouver and headed towards the Commercial Drive area for our first tour.

MINIATURE EFFECTS

In a departure from our usual visits to VFX shops, our first stop on the tour was Miniature Effects, owned and operated by Dave Asling. It was a great opportunity for the students to see behind-the-scenes miniature, model and prop work. With over 15 years in the visual effects business, Dave and his team supply visual effects concept consulting, highly detailed mechanically and and electronically functional props, motion-controlled miniature effects, design, engineering and fabrication. They’ve worked for shows such as Percy Jackson and the Lightning Thief (in production), Smallville, Bionic Woman, Fantastic Four and X-Men, to name a few.

ARTIFEX STUDIOS

After lunch at the famed Tony’s Deli on Commercial Drive, we visited nearby Artifex Studios with VFX Supervisor/Owner Adam Stern. Artifex expanded their East Vancouver studio last year and have been hard at work on features including this year’s Defendor, New In Town, Scourge, TV series Impact and Stormworld, and commercials for Nissan and Tourism Mexico.

ZOIC STUDIOS

Next up was Zoic Studios, located at the edge of Gastown, where VFX Producer Patrick Mooney gave us a tour. Zoic Vancouver is a sister studio to their LA operation, and they have been busy with TV series and features. They recently worked on the feature films One Missed Call for Warner Brothers and Pathfinder for 20th Century Fox, and TV episodics Drive and Eureka.

MPC/TECHNICOLOR

Last on our tour was one of Vancouver’s newest imports, MPC (Moving Picture Company), which has been sharing resources and management with Technicolor the past year or so. Hot on the heels of their work on Watchmen, they were gearing up for effects on the Chris Columbus feature Percy Jackson and the Lightning Thief. VFX Producer Persis Reynolds toured us through the facility and talked about their pipeline.

Our next tour will be in early June, a few weeks before our fourth graduating class heads out to enter the workforce. Thanks to all the studios in Vancouver who have been so generous over the years to open their doors to us!

Cheers,

Mark

Your Business Card is Crap – CollegeHumor Video

Your Business Card is Crap. Key points: good business card designs take 20 years, and do not use Strathmore 60lb. stock.

animated Signature…

I need to animate a soccer player’s signature for a gatorade commercial and even though i could do it in after with something like a 3d stroke i was wondering how i could do this in fusion.

I traced the signature with a mask and gave it some width but how can i animate it from the starting point to the very last point of the mask?

Im guessing manually but maybe there is a better way.

Alex

COVERS by John-Paul Thurlow

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It could be the sad, sad sound of the always-growing-louder death knell of print that gets me all squishy for John-Paul Thurlow’s blog, COVERS, or the quaint nostalgia emanating from the stacks upon stacks of glossy magazines which I no longer have in my possession; but no matter which it is, combined with some swine flu and the remote possibility of someone douchey going to jail for torture, it feels like the times are a changing. So, what better way to celebrate than to sit with some beautifully illustrated mag covers from simpler times and toast to cooling off. Cheers!

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Another Freeview advert with not much to say.

> Quicktime H.264
(14mb)
> iPod Compatible
(7.2mb)
> Watch in Flash
(7.1mb progressive)

It really shouldn’t be this hard a thing to sell, or this easily screwed up, but here we are again with Australia’s free to air broadcasters banding together to get us excited about the Freeview platform.

Something that will actually get people excited about Freeview? The impending launch of ABC3, SBS Two and whatever Nine and Seven are going to get around to broadcasting, not this ad.

Moray McLaren – We Got Time

Se andate a cercare in cantina o nel ripostiglio probabilmente troverete il giradischi dei vostri genitori ma solo se troverete i dischi Moviton potrete assistere ad una piccola magia. I Moviton sono dischi pubblicati nel 1960 dalla Mamil srl di Milano, di materiale flessibile plastificato a 78 giri con la superficie disegnata. Ma il gioco magico lo faceva una trottola di plastica a specchio ottagonale, nella quale si riflettevano i personaggi stampati sul flexi-disc dando l’illusione che si animassero, praticamente una variazione dello zootropio.

Il giovane regista David Wilson ha usato la stessa tecnica per il video musicale del cantautore scozzese Moray McLaren, lavorando con diversi giradischi, piatti e trottole. Tutto quello che si vede è stato girato in camera e poi montato, nessuna immagine è stata generata al computer. Sul sito personale del regista trovate anche il making of. Ora sperimentate anche voi ma prima chiedete il permesso di poter maneggiare il giradischi ai vostri genitori!

Clicca qui per vedere il video incorporato.

Director and Animator : David Wilson
Production Company : Blinkink

Director of Photography : Tim Green
RED Camera Operator : Nick Allsop and Jeff Brown
Post Production – The Mill

Articolo redatto da Sergio Damele

Hook : New site, new work

Hook launched a new site showcasing new works, featuring multiple Webby and One Show Award nominations for Crispin Porter + Bogusky: byhook.com